When grief sits beside you like a rain-soaked dog, quiet and uninvited, heaven will have to wait by Flora Cash offers the kind of sonic shelter you didn’t know you needed. This is not a song—it’s a balm…
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Some canvases reveal their truth only when the paint begins to crack; Melbourne-based Duo Ratfink!'s latest single "Gay Song" pries those fissures wider until light floods through…
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A compass only matters when the heart already knows its destination; Michellar’s single “Get me there to Church” etches such coordinates across a continent-spanning skyline of steel…
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An old lighthouse continues rotating long after its keeper has slipped beneath the tide; such is the eerie fascination of “Waiting,” the newest spectral postcard from Newcastle’s alt-country…
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Listening to Hillary Reynolds' newest offering, "Can’t Turn Off My Mind," evokes the gentle eccentricity of discovering forgotten letters tucked within vintage books, each sentence spilling secrets cloaked…
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A chrome-flecked tidal bore roars through the mind’s gallery the moment Max Chaos cracks open his latest canvas, “Ride The Wave.” The Canadian bard of distortion welds hard-rock sinew…
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If nostalgia were distilled into a dazzling neon tapestry, intricately threaded through Tokyo's midnight avenues, it would manifest as EFFECTIVE 12:01 PM’s enthralling sonic odyssey, "Lack of You."
Read More![[EP] — Ben Heyworth Returns with "Creature," a Quietly Stirring EP of Acoustic Poise and Poetic Reflection](https://images.squarespace-cdn.com/content/v1/5aa7771212b13fa2b4ca6cb5/1748665794940-I93BV9QRCOS526NBMLUG/Cover_V2_EP_cover_2500px_1.jpg)
A fine whiskey matures quietly, patiently transforming time and solitude into nuanced flavors; Ben Heyworth's EP, “Creature,” likewise emerges as a distilled marvel of acoustic introspection…
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Tuning into pop duo No Joke’s freshly minted track, “At it Again,” feels akin to sipping aged whiskey beneath a velvet twilight—richly soothing yet underscored…
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Sourdough caramelises in a cast-iron skillet slower than Boy In Space lets tension ferment on “Burning Down The House,” a fireside-pop postcard spliced between Gothenburg frost…
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Listening to DYLYN’s latest EP, "Heavy," is like savoring a meticulously aged whiskey—a complex, fiery burn softened by a warm, inviting undertone, evoking both contemplation and rebellion…
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Crème brûlée confidence cracks loud when Aaria Tae’s “Ego” sashays through the room, caramelising 70-soul instrumentation with contemporary R&B sass…
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Nikita’s single “Kill Her Mind” slithers through speakers like a synth-pop séance for the sleepless. Shoegaze-plush guitars smear chordal constellations above a heartbeat kick, while translucent…
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Papaya‑coloured dawn drips onto the ear when “Bluebird” spirals from the speakers, tasting like cardamom‑kissed maple syrup on cracked ice. Jon Martin and Lovers coax indie‑folk’s…
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The single “Skipping Stones” by American singer-songwriter SOZI conjures a folk-infused reverie that glides between wistful reflection and buoyant optimism. The track, featured in Episode 9…
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Like sipping lukewarm espresso in a sun-drenched Berlin café while scribbling confessions on a napkin—Imperfect, the debut EP from indie pop artisan Fraen, feels both intimately…
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A sublime spark of wanderlust leaps forth with the opening chord of Berlin-based duo Driftwood Choir’s self-titled debut album, a ten-song tapestry of Alternative Folk and Soft Pop woven..
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If there were a sonic meeting ground between Norah Jones and Lianne La Havas, it might sound something like Puma June’s song “Love Comes & Goes” — which balances orally the delicate…
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